MenuSkip to content
- Events & Programs
Intermediate | Can a work of fiction attain more than one “central consciousness” by combining different points of view? How might hybridizing first, second, or third-person increase the richness of a text, or undercut the ego of a story? This class will explore these questions, studying examples by authors such as Jennifer Egan, Claire Vaye Watkins, and Junot Díaz. Prospective students should have a basic understanding of how to manage point of view in fiction.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 2 SessionsFiction
Start Date: 08/19/2017
End Date: 08/20/2017
Days of the Week: Saturday, Sunday
Time: 1:00 pm – 4:00 pm PDT
Minimum Class Size: 5
Maximum Class Size: 15
Become a member >
$172.00 General Price:
Class has begun, registration is closed.
John Englehardt is a fiction writer, editor at Pacifica Literary Review, and a former Made at Hugo House fellow. He won the 2014 Wabash prize in fiction, the Conium Review's 2014 Flash Fiction Contest, and The Stranger's A&P story contest, judged by Sherman Alexie and Rebecca Brown. He holds an MFA from University of Arkansas, and his writing has appeared in Sycamore Review, The Stranger, Seattle Review of Books, and The James Franco Review.