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Intermediate | Can a work of fiction attain more than one “central consciousness” by combining different points of view? How might hybridizing first, second, or third-person increase the richness of a text, or undercut the ego of a story? This class will explore these questions, studying examples by authors such as Jennifer Egan, Claire Vaye Watkins, and Junot Díaz. Prospective students should have a basic understanding of how to manage point of view in fiction.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 2 SessionsFiction
Start Date: 08/19/2017
End Date: 08/20/2017
Days of the Week: Saturday, Sunday
Time: 1:00 pm – 4:00 pm PDT
Minimum Class Size: 5
Maximum Class Size: 15
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$172.00 General Price:
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John Englehardt is the author of Bloomland, winner of the 2018 Dzanc Prize for Fiction and the 2020 VCU Cabell First Novelist Award. He has taught writing classes at University of Arkansas, Seattle Writes, Hugo House, and Seattle University.