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Charles Simic: “Writing a prose poem is a bit like trying to catch a fly in a dark room. The fly probably isn’t even there, the fly is inside your head, still, you keep tripping over and bumping into things in hot pursuit. The prose poem is a burst of language following a collision with a large piece of furniture.” Let’s set out the couches, the divans, the settees, and the side tables (with Jorge Borges, Arthur Rimbaud, Gertrude Stein, Anne Carson, Zachary Schomburg, Lydia Davis, and Joy Williams, among others) and go fly hunting. You’ll leave with a batch of new work based on a series of innovative prompts. Open to writers at all levels of experience.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Jason Whitmarsh's first book, Tomorrow's Living Room, won the 2009 May Swenson Poetry Award. His poems have appeared in Poetry Northwest, the Yale Review, Fence, American Letters & Commentary, and Ploughshares. He lives in Seattle with his wife and children.
Sierra Nelson (Typing Explosion, Vis-à-Vis Society), poet, performer, and text-based artist, is author of I Take Back the Sponge Cake (Rose Metal) and chapbook “In Case of Loss.” Earning her MFA from U.W. (2002), she is a MacDowell Colony Fellow and teaches in Seattle, Friday Harbor, and Rome, Italy.