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All Levels | Scenes are the building blocks of fiction—and yet while an education in playwriting pays tremendous attention to the architecture of scene, fiction workshops tend to overlook it. We’ll take a playwright’s approach to fiction by learning how to build scenes with a solid arc, scenes that advance every element of the story. On Saturday, we’ll talk architecture, momentum, and shape. We’ll also discuss all the things that aren’t scene, including exposition, summary, and atemporal narration. On Sunday, we’ll dissect some published scenes (and look at some that break all the rules). We’ll also spend time rethinking our own scene structures. Appropriate for writers working on short stories, novels, and scene-driven creative nonfiction.
This class has a one-hour lunch break.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 2 SessionsFiction, Visiting
Start Date: 12/01/2018
End Date: 12/02/2018
Days of the Week: Saturday, Sunday
Time: 10:00 am – 3:00 pm PST
Minimum Class Size: 5
Maximum Class Size: 15
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$400.00 General Price:
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Rebecca Makkai is the Chicago-based author of the novels The Hundred-Year House and The Borrower, and the story collection Music for Wartime. Her work has appeared four times in The Best American Short Stories.