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Introductory/Intermediate | You’ve got a life story to tell, but how can you turn “history” into a “story?” What should you include? And what should you leave out? Moreover, how can you make your memories interesting to a reader? This class explores storytelling techniques from memoir to autobiographical fiction to help you bring your story to life. We’ll consult writers like Tim O’Brien, Maxine Hong Kingston, and David Sedaris, and we’ll use writing exercises to help you launch your own writing project.
This course takes place online via our partners at Wet Ink, and classes can be completed at your own pace each week.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 8 SessionsNonfiction, Online
Start Date: 07/09/2019
End Date: 08/27/2019
Days of the Week: Tuesday
Time: – PDT
Minimum Class Size: 5
Maximum Class Size: 15
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$380.00 General Price:
Class has begun, registration is closed.
Susan V. Meyers has lived and taught in Chile, Costa Rica, and Mexico. She earned an MFA from the University of Minnesota and a PhD from the University of Arizona, and she currently directs the Creative Writing Program at Seattle University. Her fiction and nonfiction have been supported by grants from the Fulbright foundation, the National Endowment for the Humanities, 4Culture, Artist Trust, and the Squaw Valley Community of Writers, as well as several artists residencies. Her novel Failing the Trapeze won the Nilsen Award for a First Novel and the Fiction Attic Press Award for a First Novel, and it was a finalist for the New American Fiction Award. Other work has recently appeared in Per Contra, Calyx, Dogwood, The Portland Review, and The Minnesota Review, and it has twice been nominated for a Pushcart Prize.