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You already have an advanced understanding of poetry, and you have written and edited a group (any size) of poems you’re proud of. Now you’ve decided you want to complete, assemble, and submit a chapbook! We’ll write two additional poems and go over chapbook dos and don’ts, collectively workshop your chapbook poems in a supportive environment, and focus on revising. Examples will be made of contemporary chapbook authors. We’ll prepare chapbooks for submitting to chapbook presses and then send them off.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 10 SessionsPoetry
Start Date: 09/15/2015
End Date: 11/17/2015
Days of the Week: Tuesday
Time: 7:00 pm – 9:00 pm PDT
Minimum Class Size: 5
Maximum Class Size: 15
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$380.00 General Price:
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Anastacia-Renee is a multi-genre writer, educator, and interdisciplinary artist. She is the recipient of the 2018 James W. Ray Distinguished Artist Award for Washington artists (Artist Trust), and has served as the 2017-2019 Seattle Civic Poet and the 2015-2017 poet-in-residence at Hugo House. Anastacia-Renee is a two-time Pushcart nominee and 2017 Artist of Year (Seattle). She is the author of five books: Forget It (Black Radish Books), (v.) (Black Ocean) 26 (Dancing Girl Press), Kiss Me Doll Face (Gramma Press), and Answer(Me) (Winged City Chapbooks, Argus Press) and has received writing fellowships and residencies from Cave Canem, Hedgebrook, VONA, Artist Trust, Jack Straw, Ragdale, Whiteley, Mineral School, and Hypatia in the Woods. Her cross-genre writing has appeared in a TEDx talk; the anthologies Women of Resistance: Poems for a New Feminism, Sinister Wisdom: Black Lesbians—We Are the Revolution, and Revise the Psalm: Work Celebrating the Writing of Gwendolyn Brooks; and Ms. Magazine, Split this Rock, Painted Bride Quarterly, Crab Creek Review, Seattle Review, The Fight & the Fiddle, Duende, Poetry Northwest, Synaethesia, Banqueted, Torch, Mom Egg Review, The Magazine of Glamorous Refusal, Pinwheel Journal, and many more. She teaches poetry and multi-genre workshops at Hugo House, libraries, universities, and high schools.