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All Levels. This class will examine different styles of flash fiction, such as extended metaphor, anecdote, aphorism, lyric, and found forms. To ground our understanding of these forms, we will look at examples from authors such as George Saunders, Margaret Atwood, Rebecca Brown, Donald Barthelme, Junot Diaz, and Roxane Gay; as well as fictions by lesser-known authors in contemporary literary magazines. Our goal will be to understand the iceberg effect of the short form and how different styles of flash fiction can create elements that are hinted at or implied (rather than written) on the page. In addition to generative writing exercises and style imitations, each student will turn in one flash piece for workshop.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 6 SessionsFiction
Start Date: 02/27/2017
End Date: 04/03/2017
Days of the Week: Monday
Time: 5:00 pm – 7:00 pm PST
Minimum Class Size: 5
Maximum Class Size: 15
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$295.00 General Price:
Class has begun, registration is closed.
John Englehardt is a fiction writer, editor at Pacifica Literary Review, and a former Made at Hugo House fellow. He won the 2014 Wabash prize in fiction, the Conium Review's 2014 Flash Fiction Contest, and The Stranger's A&P story contest, judged by Sherman Alexie and Rebecca Brown. He holds an MFA from University of Arkansas, and his writing has appeared in Sycamore Review, The Stranger, Seattle Review of Books, and The James Franco Review.