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Intermediate / Advanced | Even with a competent draft in hand, sometimes you just know when a story doesn’t feel done yet. Placing a finger on the problem can be maddeningly difficult. Maybe the hardest thing a writer has to learn is how to get out of the way of a story. In this workshop, we’ll practice a form of laser-focused close reading to reveal subliminal designs and subconscious content, illuminating aspects of revision that often feel most elusive: how to clarify thematic arguments or attend to our characters’ emotional labor. Along the way, we’ll work on tools that enhance our attention to our prose, and we’ll pick up a few pointers on craft in stories by T.C. Boyle, Yiyun Li, Jamel Brinkley, and Deborah Eisenberg.
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Class Type: 6 SessionsFiction
Start Date: 05/06/2019
No Class On: 5/27/2019
End Date: 06/17/2019
Days of the Week: Monday
Time: 7:10 pm – 9:10 pm PDT
Minimum Class Size: 5
Maximum Class Size: 15
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$295.00 General Price:
Class has begun, registration is closed.
Eric McMillan’s fiction has appeared or is forthcoming in One Story, Iowa Review, New England Review, Gulf Coast, and Witness. An Iraq War veteran, he’s the winner of this year’s Jeff Sharlet Memorial Prize and a former Fellow at Hugo House.