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All Levels | Ghazals in South Asia are one of the most popular forms of poetry anywhere. While there has been much analysis of the ghazal’s evolution in English, how the ghazal works as popular art is less accessible to Western writers. This class aims to give participants a flavor of that space—we’ll listen to versions of ghazals in Urdu, read translations, consider what makes a good ghazal work, and create our own new works. Come ready to write!
Beginning Fall 2021, we will be adding select in-person classes back to our course catalog. The majority of our classes will still be offered via Zoom.
If a class says IN-PERSON in its title, it will take place in person at our permanent home in Seattle.
If a class says ASYNCHRONOUS in its title, it will take place on Wet Ink, our asynchronous learning platform.
If a class does not have a marker after its title, it will take place via Zoom.
Shankar Narayan explores identity, power, mythology, and technology in a world where the body is flung across borders yet possesses unrivaled power to transcend them. Shankar is a Pushcart Prize nominee, a Fellow at Kundiman and at Hugo House, and winner of prizes from Flyway and Paper Nautilus. Shankar draws strength from his global upbringing and from his work as a civil rights attorney for the ACLU. His work has appeared in Jaggery, Panoply, Crab Creek Review, Raven Chronicles, The Litfuse Anthology, WA 129 (a collection of Washington state poems curated by Poet Laureate Tod Marshall), and many other publications. Shankar is a recent 4Culture grant recipient for Claiming Space, a project to lift the voices of writers of color. In Seattle, he awakens to the wonders of Cascadia every day, but his heart yearns east to his other hometown, Delhi.